News has shifted into an entirely new era. Paraded in by the ease of access and the speed at which information is spread locally and globally, this new era of news is defined by the minute-by-minute commentary audiences can receive on almost any device, at any time. With more channels and formats to tell stories,…
The Digital Production Partnership (DPP) is a wonderful thing. Not only has it provided the means of creating standards and guidelines for the implementation of common interchange formats, it has also helped the whole UK broadcast industry to come together: So, in the UK the DPP has invested a great amount of time and effort in establishing…
Quality Control (QC) has always been close to our hearts. Media files must always be fit for purpose – when they are not they quickly become toxic and can be highly destructive within any file-based workflow: The EBU shares our point of view- QC is key. “Broadcasters moving to file-based production facilities have to consider how to use…
Not for the first time, I’m guilty of using the term revolutionary in association with the Digital Production Partnership (DPP). No, I have not been reading too many subversive texts – it is the simple truth that this UK-based initiative leads the world in supporting the widespread adoption of digital file-based workflows: It has the potential…
Recently, we staged a webinar in partnership with ATG Broadcast which focussed on the Digital Production Partnership (DPP) file standards. We had a number of contributors giving the perspectives of a service provider, a media facility and a broadcaster. The broadcaster’s perspective was provided by Shane Tucker from UK broadcaster, Channel 4. The broadcaster does not produce…
As previously discussed on this blog, DPP standards webinar threw up some fascinating perspectives on this area of file-based workflow standardization. Another interesting perspective came from Chiswick-based international media facility, TVT, which was represented on the webinar by its managing director, Kim Thesiger: TVT can claim to be one of the first (even perhaps the first) European…
I am continually amazed at how, even cost conscious, companies create delivery specifications. When it’s done correctly, a good delivery specification reduces costs for the business, improves interoperability, increases reliability, reduces failure rates and might even boost staff morale because things just work better. It shouldn’t really be a surprise. A delivery specification is essentially…
I can imagine the scene now. I’m sitting on a chair in the forest many years in the future with my grandchildren trying to set fire to things or blow things up (the way they do). I will have just finished watching the director’s cut of “Le magasin des suicides” on my new super-duper 16K…
The overriding issue in the development of file-based workflows is the meeting of the worlds of broadcast and IT technology head on. This issue has been discussed in magazines and online for many years. Rather smugly, it has been suggested by many that IT technology is the poor relation compared with the complexity of the…
Readers of this blog will be aware of its regular focus on the Digital Production Partnership or DPP as it is more commonly known. When terminology such as ‘revolutionary’ and ‘a future broadcast industry cornerstone’ are used to describe a concept it is normally a good indication that all that glitters is not necessarily gold: However, this is…
Next week, in a corner of the Bayerischer Rundfunk campus in Munich, Germany, likely without much fanfare, something fairly monumental will take place – the IRT MXF PlugFest. Now in its ninth year, this event brings together vendors in the media and entertainment industry to facilitate MXF interoperability tests. Following each event, the IRT (Institute für Rundfunktechnik)…
At the start of June, we heard that the IBC has short-listed BT Sport, Timeline Television and ourselves for the IBC Innovation Award under the Content Management category. This is a good reason to celebrate – in short-listing our submission IBC is recognizing all the effort made making sure that BT Sport’s new production facility…
Next week will see a first for AmberFin when we exhibit in our own right at Broadcast Asia. This is a dynamic, fast growing regional market for our products and services – one that we have prioritized for a number of years. I will travel to Singapore for the exhibition and I’m excited at the prospect of what…
Much of what has been said and written recently about the Digital Production Partnership (DPP) centres on the enabling technology and the versatility of the standards created by the organization. Whilst AmberFin is a product with technology implementation at its heart, we never forget that the technology is just a means to and end, rather than an end in…
A good blog helps direct people towards interesting and informative events, and with this in mind please may I draw your attention to this year’s IT Broadcast Workflow conference, which is organized by the team at TVB Europe: The magazine has reported on developments with the Digital Production Partnership (DPP) and such is the interest in this…
There has been a lot of information published recently about the Digital Production Partnership, the standardization of file delivery in the UK broadcast chain. Indeed I have alluded to it in previous posts, but what was the motivation for UK broadcasters to gather and come up with the specification? To ease the problems of inter-company \…
Readers of this blog might have the impression that the Digital Production Partnership (DPP) is an initiative with relevance only within the UK, where it was developed. This understanding is entirely wrong – at NAB earlier this month, we received expressions of interest from just about every continent: So what do we take from this –…
If you are a broadcast service provider you will quickly appreciate the increased certainty that DPP provides around the areas of file delivery and playback. Peter Darlington, who works with Red Bee Media, points out there are a number of very real and tangible benefits to broadcast service providers from the adoption of DPP including MXF option constraints, common codec…
The Digital Production Partnership (DPP) is an organization facing the Herculean challenge of helping the UK broadcast industry to exploit maximum benefit from file-based digital production. The DPP’s Technical Standards group objective is to achieve the standardization of technical requirements for the delivery of TV programmes to UK broadcasters and to maintain and update these standards in line…
Less than 12 months ago we launched this blog. Our objective has always been to provide a platform for sharing knowledge and experiences about the steady evolution of file-based workflows within the broadcast and electronic media markets: We were optimistic that this would prove to be a valuable communications medium but little were we to know just…
News has shifted into an entirely new era. Paraded in by the ease of access and the speed at which information is spread locally and globally, this new era of news is defined by the minute-by-minute commentary audiences can receive on almost any device, at any time. With more channels and formats to tell stories,…
The Digital Production Partnership (DPP) is a wonderful thing. Not only has it provided the means of creating standards and guidelines for the implementation of common interchange formats, it has also helped the whole UK broadcast industry to come together: So, in the UK the DPP has invested a great amount of time and effort in establishing…
Quality Control (QC) has always been close to our hearts. Media files must always be fit for purpose – when they are not they quickly become toxic and can be highly destructive within any file-based workflow: The EBU shares our point of view- QC is key. “Broadcasters moving to file-based production facilities have to consider how to use…
Not for the first time, I’m guilty of using the term revolutionary in association with the Digital Production Partnership (DPP). No, I have not been reading too many subversive texts – it is the simple truth that this UK-based initiative leads the world in supporting the widespread adoption of digital file-based workflows: It has the potential…
Recently, we staged a webinar in partnership with ATG Broadcast which focussed on the Digital Production Partnership (DPP) file standards. We had a number of contributors giving the perspectives of a service provider, a media facility and a broadcaster. The broadcaster’s perspective was provided by Shane Tucker from UK broadcaster, Channel 4. The broadcaster does not produce…
As previously discussed on this blog, DPP standards webinar threw up some fascinating perspectives on this area of file-based workflow standardization. Another interesting perspective came from Chiswick-based international media facility, TVT, which was represented on the webinar by its managing director, Kim Thesiger: TVT can claim to be one of the first (even perhaps the first) European…
I am continually amazed at how, even cost conscious, companies create delivery specifications. When it’s done correctly, a good delivery specification reduces costs for the business, improves interoperability, increases reliability, reduces failure rates and might even boost staff morale because things just work better. It shouldn’t really be a surprise. A delivery specification is essentially…
I can imagine the scene now. I’m sitting on a chair in the forest many years in the future with my grandchildren trying to set fire to things or blow things up (the way they do). I will have just finished watching the director’s cut of “Le magasin des suicides” on my new super-duper 16K…
The overriding issue in the development of file-based workflows is the meeting of the worlds of broadcast and IT technology head on. This issue has been discussed in magazines and online for many years. Rather smugly, it has been suggested by many that IT technology is the poor relation compared with the complexity of the…
Readers of this blog will be aware of its regular focus on the Digital Production Partnership or DPP as it is more commonly known. When terminology such as ‘revolutionary’ and ‘a future broadcast industry cornerstone’ are used to describe a concept it is normally a good indication that all that glitters is not necessarily gold: However, this is…
Next week, in a corner of the Bayerischer Rundfunk campus in Munich, Germany, likely without much fanfare, something fairly monumental will take place – the IRT MXF PlugFest. Now in its ninth year, this event brings together vendors in the media and entertainment industry to facilitate MXF interoperability tests. Following each event, the IRT (Institute für Rundfunktechnik)…
At the start of June, we heard that the IBC has short-listed BT Sport, Timeline Television and ourselves for the IBC Innovation Award under the Content Management category. This is a good reason to celebrate – in short-listing our submission IBC is recognizing all the effort made making sure that BT Sport’s new production facility…
Next week will see a first for AmberFin when we exhibit in our own right at Broadcast Asia. This is a dynamic, fast growing regional market for our products and services – one that we have prioritized for a number of years. I will travel to Singapore for the exhibition and I’m excited at the prospect of what…
Much of what has been said and written recently about the Digital Production Partnership (DPP) centres on the enabling technology and the versatility of the standards created by the organization. Whilst AmberFin is a product with technology implementation at its heart, we never forget that the technology is just a means to and end, rather than an end in…
A good blog helps direct people towards interesting and informative events, and with this in mind please may I draw your attention to this year’s IT Broadcast Workflow conference, which is organized by the team at TVB Europe: The magazine has reported on developments with the Digital Production Partnership (DPP) and such is the interest in this…
There has been a lot of information published recently about the Digital Production Partnership, the standardization of file delivery in the UK broadcast chain. Indeed I have alluded to it in previous posts, but what was the motivation for UK broadcasters to gather and come up with the specification? To ease the problems of inter-company \…
Readers of this blog might have the impression that the Digital Production Partnership (DPP) is an initiative with relevance only within the UK, where it was developed. This understanding is entirely wrong – at NAB earlier this month, we received expressions of interest from just about every continent: So what do we take from this –…
If you are a broadcast service provider you will quickly appreciate the increased certainty that DPP provides around the areas of file delivery and playback. Peter Darlington, who works with Red Bee Media, points out there are a number of very real and tangible benefits to broadcast service providers from the adoption of DPP including MXF option constraints, common codec…
The Digital Production Partnership (DPP) is an organization facing the Herculean challenge of helping the UK broadcast industry to exploit maximum benefit from file-based digital production. The DPP’s Technical Standards group objective is to achieve the standardization of technical requirements for the delivery of TV programmes to UK broadcasters and to maintain and update these standards in line…
Less than 12 months ago we launched this blog. Our objective has always been to provide a platform for sharing knowledge and experiences about the steady evolution of file-based workflows within the broadcast and electronic media markets: We were optimistic that this would prove to be a valuable communications medium but little were we to know just…
